<?xml version='1.0' encoding='UTF-8'?><?xml-stylesheet href="http://www.blogger.com/styles/atom.css" type="text/css"?><feed xmlns='http://www.w3.org/2005/Atom' xmlns:openSearch='http://a9.com/-/spec/opensearchrss/1.0/' xmlns:georss='http://www.georss.org/georss' xmlns:gd='http://schemas.google.com/g/2005' xmlns:thr='http://purl.org/syndication/thread/1.0'><id>tag:blogger.com,1999:blog-15396749</id><updated>2011-04-21T12:13:33.057-07:00</updated><title type='text'>Sitting On the Bedside Table and Spinning on the Turntable</title><subtitle type='html'>Another cursory glance at the cultural junk assaulting my senses</subtitle><link rel='http://schemas.google.com/g/2005#feed' type='application/atom+xml' href='http://djardine3.blogspot.com/feeds/posts/default'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/15396749/posts/default?max-results=100'/><link rel='alternate' type='text/html' href='http://djardine3.blogspot.com/'/><link rel='hub' href='http://pubsubhubbub.appspot.com/'/><author><name>Dan Jardine</name><uri>http://www.blogger.com/profile/13757592250591482369</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><generator version='7.00' uri='http://www.blogger.com'>Blogger</generator><openSearch:totalResults>1</openSearch:totalResults><openSearch:startIndex>1</openSearch:startIndex><openSearch:itemsPerPage>100</openSearch:itemsPerPage><entry><id>tag:blogger.com,1999:blog-15396749.post-112395881968044567</id><published>2005-11-20T07:34:00.000-08:00</published><updated>2007-01-24T08:16:28.170-08:00</updated><title type='text'>What I've Been Reading/Listening to Lately</title><content type='html'>&lt;div align="center"&gt;&lt;br /&gt;And but so, all ratings are out of 100, and if the &lt;strong&gt;&lt;span style="color:#3333ff;"&gt;text &lt;/span&gt;&lt;span style="color:#ff0000;"&gt;changes&lt;/span&gt; &lt;span style="color:#009900;"&gt;colour&lt;/span&gt;&lt;/strong&gt;, it's cuz I've added a few entries to a particular month, allowing you to more easily keep track of all the new influences on my life. Heh. Meh. Feh.&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;On the Turntable ('06 edition)&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;The Best of 2006&lt;/em&gt;&lt;/strong&gt; &lt;/div&gt;&lt;div align="center"&gt;&lt;/div&gt;&lt;div align="left"&gt;&lt;br /&gt;&lt;a href="http://photos1.blogger.com/x/blogger/1018/1425/1600/685368/love%20is%20all.jpg"&gt;&lt;img style="FLOAT: left; MARGIN: 0px 10px 10px 0px; CURSOR: hand" alt="" src="http://photos1.blogger.com/x/blogger/1018/1425/320/494466/love%20is%20all.jpg" border="0" /&gt;&lt;/a&gt;10. Love is All -- Nine Times that Same Song&lt;br /&gt;&lt;/div&gt;&lt;div align="left"&gt;&lt;/div&gt;&lt;div align="left"&gt;Reminscent of last year's Go! Team, Love is All is a clattering, bashing and clanging triumph of enthusiasm over musicianship. Which is not to say that the players lack skill, but rather that the mix is so muddy, it almost doesn't matter. A helluva lotta fun. &lt;/div&gt;&lt;div align="left"&gt;&lt;/div&gt;&lt;div align="left"&gt;&lt;/div&gt;&lt;div align="left"&gt;&lt;/div&gt;&lt;div align="left"&gt;&lt;/div&gt;&lt;div align="left"&gt;&lt;/div&gt;&lt;div align="left"&gt;&lt;/div&gt;&lt;div align="center"&gt;&lt;/div&gt;&lt;div align="center"&gt;&lt;/div&gt;&lt;div align="center"&gt;&lt;/div&gt;&lt;div align="center"&gt;&lt;/div&gt;&lt;div align="center"&gt;&lt;/div&gt;&lt;div align="center"&gt;&lt;/div&gt;&lt;div align="center"&gt;&lt;/div&gt;&lt;div align="center"&gt;&lt;/div&gt;&lt;div align="center"&gt;&lt;/div&gt;&lt;div align="center"&gt;&lt;/div&gt;&lt;div align="left"&gt;&lt;/div&gt;&lt;div align="left"&gt;&lt;/div&gt;&lt;div align="left"&gt;&lt;/div&gt;&lt;div align="left"&gt;&lt;/div&gt;&lt;div align="left"&gt;&lt;/div&gt;&lt;div align="left"&gt;&lt;/div&gt;&lt;div align="left"&gt;&lt;/div&gt;&lt;div align="left"&gt;&lt;/div&gt;&lt;div align="left"&gt;&lt;/div&gt;&lt;div align="left"&gt;9. Peter, Bjorn and John -- Writer's Block &lt;/div&gt;&lt;div align="left"&gt;&lt;/div&gt;&lt;div align="left"&gt;&lt;/div&gt;&lt;div align="left"&gt;&lt;a href="http://photos1.blogger.com/x/blogger/1018/1425/1600/807643/reginaspektor.jpg"&gt;&lt;img style="FLOAT: left; MARGIN: 0px 10px 10px 0px; CURSOR: hand" alt="" src="http://photos1.blogger.com/x/blogger/1018/1425/320/256073/reginaspektor.jpg" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;8.Regina Spektor -- Equal parts Fiona Apple, Kate Bush, Tori Amos and the Dresden Dolls, Spektor is sexy, smart, talented and Russian to boot. What's not to like? &lt;/div&gt;&lt;div align="left"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="left"&gt;&lt;/div&gt;&lt;div align="left"&gt;&lt;/div&gt;&lt;div align="left"&gt;&lt;/div&gt;&lt;div align="left"&gt;&lt;/div&gt;&lt;div align="left"&gt;&lt;/div&gt;&lt;div align="left"&gt;&lt;/div&gt;&lt;div align="left"&gt;&lt;/div&gt;&lt;div align="left"&gt;&lt;/div&gt;&lt;div align="left"&gt;&lt;/div&gt;&lt;div align="left"&gt;&lt;/div&gt;&lt;div align="left"&gt;&lt;/div&gt;&lt;div align="left"&gt;&lt;/div&gt;&lt;div align="left"&gt;&lt;/div&gt;&lt;div align="left"&gt;&lt;/div&gt;&lt;div align="left"&gt;&lt;/div&gt;&lt;div align="left"&gt;&lt;/div&gt;&lt;div align="left"&gt;&lt;/div&gt;&lt;div align="left"&gt;&lt;/div&gt;&lt;div align="left"&gt;&lt;/div&gt;&lt;div align="left"&gt;&lt;/div&gt;&lt;div align="left"&gt;&lt;/div&gt;&lt;div align="left"&gt;&lt;/div&gt;&lt;div align="left"&gt;&lt;/div&gt;&lt;div align="left"&gt;&lt;/div&gt;&lt;div align="left"&gt;7. Johnny Cash -- American V: A Hundred Highways &lt;/div&gt;&lt;div align="left"&gt;&lt;/div&gt;&lt;div align="left"&gt;&lt;br /&gt;6. Lily Allen --Alright, Still &lt;a href="http://photos1.blogger.com/x/blogger/1018/1425/1600/294151/lily%20allen.jpg"&gt;&lt;img style="FLOAT: right; MARGIN: 0px 0px 10px 10px; CURSOR: hand" alt="" src="http://photos1.blogger.com/x/blogger/1018/1425/320/350457/lily%20allen.jpg" border="0" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div align="left"&gt;&lt;/div&gt;&lt;div align="left"&gt;&lt;/div&gt;&lt;div align="left"&gt;&lt;/div&gt;&lt;div align="left"&gt;&lt;/div&gt;&lt;div align="left"&gt;The face of a child and the mouth of a sailor, &lt;/div&gt;&lt;div align="left"&gt;Allen's debut is sassy, cheeky, silly and more fun than a barrel full of monkeyshine. Giddy-up and go, girl.&lt;br /&gt;&lt;/div&gt;&lt;div align="left"&gt;&lt;/div&gt;&lt;div align="left"&gt;&lt;/div&gt;&lt;div align="left"&gt;&lt;/div&gt;&lt;div align="left"&gt;&lt;/div&gt;&lt;div align="left"&gt;&lt;/div&gt;&lt;div align="left"&gt;&lt;/div&gt;&lt;div align="left"&gt;&lt;/div&gt;&lt;div align="left"&gt;&lt;/div&gt;&lt;div align="left"&gt;&lt;/div&gt;&lt;div align="left"&gt;&lt;/div&gt;&lt;div align="left"&gt;&lt;/div&gt;&lt;div align="left"&gt;&lt;/div&gt;&lt;div align="left"&gt;&lt;/div&gt;&lt;div align="left"&gt;&lt;/div&gt;&lt;div align="left"&gt;&lt;/div&gt;&lt;div align="left"&gt;&lt;/div&gt;&lt;div align="left"&gt;&lt;/div&gt;&lt;div align="left"&gt;&lt;/div&gt;&lt;div align="left"&gt;&lt;/div&gt;&lt;div align="left"&gt;&lt;/div&gt;&lt;div align="left"&gt;&lt;/div&gt;&lt;div align="left"&gt;5. Gnarls Barkley -- St. Elsewhere &lt;/div&gt;&lt;div align="left"&gt;&lt;br /&gt;4. Bob Dylan -- Modern Times &lt;/div&gt;&lt;div align="left"&gt;&lt;/div&gt;&lt;div align="left"&gt;&lt;/div&gt;&lt;div align="left"&gt;&lt;/div&gt;&lt;div align="left"&gt;&lt;/div&gt;&lt;div align="left"&gt;&lt;/div&gt;&lt;div align="left"&gt;&lt;/div&gt;&lt;div align="left"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="left"&gt;3. The Hold Steady &lt;a href="http://photos1.blogger.com/x/blogger/1018/1425/1600/209892/hold%20steady.jpg"&gt;&lt;img style="CURSOR: hand" alt="" src="http://photos1.blogger.com/x/blogger/1018/1425/320/176629/hold%20steady.jpg" border="0" /&gt;&lt;/a&gt;-- Boys and Girls in America. The critics were praising this group long before I found myself getting behind their particular brand of muscular New England Catholicism. I found parts of Separation Sunday strained and so was not particularly eager to hear their latest, which might help explain why I ended up liking it so much. The earnestness of SS seems to have given way to a more accessible sense of humour and joyousness. The biggest surprise of 2007. &lt;/div&gt;&lt;div align="left"&gt;&lt;br /&gt;2. Tom Waits -- Orphans &lt;/div&gt;&lt;div align="left"&gt;&lt;/div&gt;&lt;div align="left"&gt;&lt;a href="http://photos1.blogger.com/x/blogger/1018/1425/1600/977778/BruceSpringsteenseeger.jpg"&gt;&lt;img style="FLOAT: left; MARGIN: 0px 10px 10px 0px; CURSOR: hand" alt="" src="http://photos1.blogger.com/x/blogger/1018/1425/320/975657/BruceSpringsteenseeger.jpg" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;1. Bruce Springsteen -- We Shall Overcome: The Seeger Sessions. The time is right for a return to the roots-based protest music that defined Springsteen's formative years, and The Boss delivers an album of such grace and power, of such personal and political conviction, that it would take a true curmudgeon not to be won over by it. His best album since Nebraska.&lt;br /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="left"&gt;&lt;/div&gt;&lt;div align="left"&gt;&lt;/div&gt;&lt;div align="left"&gt;&lt;/div&gt;&lt;div align="left"&gt;&lt;/div&gt;&lt;div align="left"&gt;&lt;/div&gt;&lt;div align="left"&gt;&lt;/div&gt;&lt;div align="left"&gt;&lt;/div&gt;&lt;div align="left"&gt;&lt;/div&gt;&lt;div align="left"&gt;&lt;/div&gt;&lt;div align="left"&gt;&lt;strong&gt;&lt;em&gt;Honorable Mentions&lt;/em&gt;&lt;/strong&gt; go to the 2006 releases of the following artists:&lt;br /&gt;&lt;br /&gt;&lt;span style="color:#6633ff;"&gt;Hell's bells! I can't believe that I forgot to mention the &lt;strong&gt;Yeah Yeah Yeah's&lt;/strong&gt; sophomore effort here. Many apologies. &lt;/span&gt;&lt;/div&gt;&lt;div align="left"&gt;Arctic Monkeys&lt;br /&gt;Sufjan Stevens&lt;br /&gt;The Beatles&lt;br /&gt;Hello Saferide&lt;br /&gt;Destroyer&lt;br /&gt;Neko Case&lt;br /&gt;Thom Yorke&lt;br /&gt;Paul Simon&lt;br /&gt;Pearl jam&lt;br /&gt;Sunset Rubdown&lt;br /&gt;Ben Kweller&lt;br /&gt;The Exploding Hearts&lt;br /&gt;The Golden Dogs&lt;br /&gt;The Weepies&lt;br /&gt;Outkast&lt;br /&gt;The Decembrists&lt;br /&gt;Of Montreal&lt;br /&gt;Islands&lt;br /&gt;Dresden Dolls&lt;br /&gt;Neil Young&lt;br /&gt;Yeah Yeah Yeahs&lt;br /&gt;The Cloud Room&lt;br /&gt;Cat Power&lt;br /&gt;We are Scientists&lt;br /&gt;Graham Coxon&lt;br /&gt;Hard Fi&lt;br /&gt;Prince&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;01/06&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;&lt;/strong&gt;&lt;br /&gt;Fi&lt;em&gt;rst Impressions of Earth &lt;/em&gt;by The Strokes (61/100)&lt;br /&gt;&lt;em&gt;Black Mountain&lt;/em&gt; by Black Mountain (70/100)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;02/06&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Hurricane Bar&lt;/em&gt; by Mando Diao (76/100)&lt;br /&gt;&lt;em&gt;Rabbit Fur Coat&lt;/em&gt; by Jenny Lewis (73/100)&lt;br /&gt;&lt;em&gt;Whatever People Say That's What I'm Not&lt;/em&gt; by Arctic Monkeys (77/100)&lt;br /&gt;&lt;em&gt;From a Compound Eye&lt;/em&gt; by Robert Pollard (63/100)&lt;br /&gt;&lt;em&gt;The Sunlandic Twins&lt;/em&gt; by Of Montreal (75/100)&lt;br /&gt;&lt;em&gt;The Cloud Room&lt;/em&gt; by The Cloud Room (78/100)&lt;br /&gt;&lt;em&gt;Let it Die&lt;/em&gt; by Feist (64/100)&lt;br /&gt;&lt;em&gt;Threesome &lt;/em&gt;by Michelle Shocked (74/100)&lt;br /&gt;&lt;em&gt;Amber&lt;/em&gt; by Clearlake (66/100)&lt;br /&gt;&lt;em&gt;With Love and Squalor&lt;/em&gt; by We Are Scientists (82/100)&lt;br /&gt;&lt;span style="color:#3333ff;"&gt;&lt;em&gt;Arular &lt;/em&gt;by M.I.A. (I know, I know. Better late than never) (84/100)&lt;/span&gt;&lt;br /&gt;&lt;span style="color:#3333ff;"&gt;&lt;em&gt;Idols of Exile&lt;/em&gt; by Jason Collett (67/100)&lt;/span&gt;&lt;br /&gt;&lt;span style="color:#3333ff;"&gt;&lt;em&gt;Detrola&lt;/em&gt; by His Name is Alive (62/100)&lt;/span&gt;&lt;br /&gt;&lt;span style="color:#3333ff;"&gt;&lt;em&gt;Lost and Safe&lt;/em&gt; by The Books (56/100)&lt;/span&gt;&lt;br /&gt;&lt;span style="color:#3333ff;"&gt;&lt;em&gt;Down in Albion&lt;/em&gt; by Babyshambles (57/100)&lt;/span&gt;&lt;br /&gt;&lt;span style="color:#3333ff;"&gt;&lt;em&gt;The Greatest&lt;/em&gt; by Cat Power (78/100)&lt;/span&gt;&lt;br /&gt;&lt;span style="color:#ff0000;"&gt;&lt;/span&gt;&lt;span style="color:#ff0000;"&gt;&lt;em&gt;Other People's Lives&lt;/em&gt; by Ray Davies&lt;/span&gt; &lt;span style="color:#ff0000;"&gt;(66/100)&lt;br /&gt;&lt;/span&gt;&lt;span style="color:#3333ff;"&gt;&lt;/span&gt;&lt;br /&gt;&lt;strong&gt;03/06 &amp; 04/06&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;/div&gt;&lt;p&gt;&lt;em&gt;Fox Confessor Brings the Flood &lt;/em&gt;by Neko Case (79/100)&lt;/p&gt;&lt;p&gt;&lt;em&gt;With a Cape and Cane by &lt;/em&gt;The Joggers&lt;/p&gt;&lt;p&gt;&lt;em&gt;Everything all the Time by &lt;/em&gt;Band of Horses (66/100)&lt;/p&gt;&lt;p&gt;&lt;em&gt;Stars of CCTV &lt;/em&gt;by Hard-Fi (76/100)&lt;/p&gt;&lt;p&gt;&lt;em&gt;Love Travels at Illegal Speeds &lt;/em&gt;by Graham Coxon (83/100)&lt;/p&gt;&lt;p&gt;&lt;em&gt;3121&lt;/em&gt; by Prince&lt;/p&gt;&lt;p&gt;&lt;em&gt;Chemical City&lt;/em&gt; by Sam Roberts (68/100)&lt;/p&gt;&lt;p&gt;&lt;em&gt;Open Season by &lt;/em&gt;British Seas Power&lt;/p&gt;&lt;p&gt;&lt;em&gt;Vessel States by &lt;/em&gt;Wilderness&lt;/p&gt;&lt;p&gt;&lt;strong&gt;05/06&lt;/strong&gt;&lt;/p&gt;&lt;em&gt;We Shall Overcome: The Seeger Sessions&lt;strong&gt; &lt;/strong&gt;&lt;/em&gt;by Bruce Springsteen (86/100)&lt;br /&gt;&lt;em&gt;Yes, Virginia&lt;/em&gt; by the Dresden Dolls (76/100)&lt;br /&gt;&lt;em&gt;Living with War&lt;/em&gt; by Neil Young (84/100)&lt;br /&gt;&lt;em&gt;How We Operate&lt;/em&gt; by Gomez (73/100)&lt;br /&gt;&lt;em&gt;Return to the Sea&lt;/em&gt; byIslands (80/100)&lt;br /&gt;&lt;em&gt;Nine Times That Same Song&lt;/em&gt; by Love is All (85/100)&lt;br /&gt;&lt;em&gt;In the Aeroplane over the Sea&lt;/em&gt; by Neutral Milk Hotel (78/100)&lt;br /&gt;&lt;em&gt;At War with the Mystics&lt;/em&gt; by Flaming Lips (70/100)&lt;br /&gt;&lt;em&gt;Show Your Bones&lt;/em&gt; by Yeah Yeah Yeahs (81/100)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;06-7/06&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;p&gt;&lt;strong&gt;&lt;em&gt;&lt;/em&gt;&lt;/strong&gt;&lt;/p&gt;&lt;p&gt;&lt;em&gt;&lt;strong&gt;Really digging the latest releases by:&lt;/strong&gt;&lt;/em&gt;&lt;/p&gt;&lt;p&gt;Johnny Cash&lt;/p&gt;&lt;p&gt;Sufjan Stevens&lt;/p&gt;&lt;p&gt;Gnarles Barkley&lt;/p&gt;&lt;p&gt;Regina Spektor&lt;/p&gt;&lt;p&gt;Roseanne Cash (late, I know)&lt;/p&gt;&lt;p&gt;&lt;/p&gt;&lt;p&gt;&lt;strong&gt;&lt;em&gt;Enjoying latest by&lt;/em&gt;:&lt;/strong&gt;&lt;/p&gt;&lt;p&gt;&lt;/p&gt;&lt;p&gt;Corinee Bailey Rae&lt;/p&gt;&lt;p&gt;&lt;em&gt;D&lt;/em&gt;anielson&lt;/p&gt;&lt;p&gt;Asobi Seksu&lt;/p&gt;&lt;p&gt;Built to Spill&lt;/p&gt;&lt;p&gt;Destroyer&lt;/p&gt;&lt;p&gt;Dixie Chicks&lt;/p&gt;&lt;p&gt;Gomez&lt;/p&gt;&lt;p&gt;Guster&lt;/p&gt;&lt;p&gt;Thom Yorke&lt;/p&gt;&lt;p&gt;Paul Simon&lt;/p&gt;&lt;p&gt;Pearl Jam&lt;/p&gt;&lt;p&gt;Sarah Harmer&lt;/p&gt;&lt;p&gt;Sunset Rubdown&lt;/p&gt;&lt;p&gt;Twilight Singers&lt;/p&gt;&lt;p&gt;Xavier Rudd&lt;/p&gt;&lt;p&gt;&lt;strong&gt;&lt;em&gt;And these releases are all right Sorta:&lt;/em&gt;&lt;/strong&gt;&lt;/p&gt;&lt;p&gt;Beirut&lt;/p&gt;&lt;p&gt;Broadcast&lt;/p&gt;&lt;p&gt;Common&lt;/p&gt;&lt;p&gt;Devics&lt;/p&gt;&lt;p&gt;Grandaddy&lt;/p&gt;&lt;p&gt;Goldfarp&lt;/p&gt;&lt;p&gt;His Name is Alive&lt;/p&gt;&lt;p&gt;Howe Gelb&lt;/p&gt;&lt;p&gt;Holopaw&lt;/p&gt;&lt;p&gt;The Clientele&lt;/p&gt;&lt;p&gt;&lt;/p&gt;&lt;p&gt;&lt;/p&gt;&lt;p&gt;&lt;/p&gt;&lt;p&gt;&lt;/p&gt;&lt;p&gt;&lt;em&gt;&lt;/em&gt;&lt;/p&gt;&lt;p&gt;&lt;/p&gt;&lt;br /&gt;&lt;strong&gt;08/06&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;p&gt;&lt;strong&gt;&lt;em&gt;REALLY digging the latest releases by the following:&lt;/em&gt;&lt;/strong&gt;&lt;/p&gt;&lt;p&gt;Lily Allen&lt;a href="http://images-eu.amazon.com/images/P/B000FMGWRS.01.LZZZZZZZ.jpg"&gt;&lt;img style="FLOAT: right; MARGIN: 0px 0px 10px 10px; WIDTH: 320px; CURSOR: hand" alt="" src="http://images-eu.amazon.com/images/P/B000FMGWRS.01.LZZZZZZZ.jpg" border="0" /&gt;&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;strong&gt;&lt;em&gt;Enjoying these:&lt;/em&gt;&lt;/strong&gt;&lt;/p&gt;&lt;p&gt;Old 97s&lt;/p&gt;&lt;p&gt;Herbert &lt;/p&gt;&lt;p&gt;Tom Petty&lt;/p&gt;&lt;p&gt;TV on the Radio&lt;/p&gt;&lt;p&gt;&lt;span style="color:#3333ff;"&gt;Camera Obscura&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="color:#3333ff;"&gt;The Pipettes&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="color:#3333ff;"&gt;Scissor Sisters&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="color:#3333ff;"&gt;Nelly Furtado&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="color:#3333ff;"&gt;Lillix&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="color:#3333ff;"&gt;Guillemots&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="color:#3333ff;"&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;strong&gt;&lt;span style="color:#000000;"&gt;09/06&lt;/span&gt;&lt;/strong&gt;&lt;/p&gt;&lt;p&gt;&lt;strong&gt;&lt;/strong&gt;&lt;/p&gt;&lt;p&gt;&lt;em&gt;&lt;strong&gt;Really digging:&lt;/strong&gt;&lt;/em&gt;&lt;/p&gt;&lt;p&gt;Bob Dylan &lt;/p&gt;&lt;p&gt;&lt;em&gt;&lt;strong&gt;Enjoying:&lt;/strong&gt;&lt;/em&gt;&lt;/p&gt;&lt;p&gt;Lillix&lt;/p&gt;&lt;p&gt;Phoenix&lt;/p&gt;&lt;p&gt;Primal Scream&lt;/p&gt;&lt;p&gt;Ratatatat&lt;/p&gt;&lt;p&gt;&lt;em&gt;&lt;strong&gt;'sall right:&lt;/strong&gt;&lt;/em&gt;&lt;/p&gt;&lt;p&gt;Muse&lt;/p&gt;&lt;p&gt;&lt;/p&gt;&lt;p&gt;&lt;/p&gt;&lt;p&gt;&lt;/p&gt;&lt;p&gt;&lt;/p&gt;&lt;br /&gt;&lt;strong&gt;11-12/06&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;Really digging the latest releases of: &lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;Hello Saferide&lt;br /&gt;The Hold Steady&lt;br /&gt;Tom Waits&lt;br /&gt;Peter Bjorn and John&lt;br /&gt;The Beatles&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Enjoying&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;A Hawk and a Hacksaw&lt;br /&gt;Athlete&lt;br /&gt;Ben Kweller&lt;br /&gt;Brand New&lt;br /&gt;Deftones&lt;br /&gt;Frou Frou&lt;br /&gt;Jem&lt;br /&gt;Joanna Newsom&lt;br /&gt;The Decembrists&lt;br /&gt;The Exploding Hearts (okay, late again. Sorry, that was terrible)&lt;br /&gt;The Golden Dogs&lt;br /&gt;The Long Blondes&lt;br /&gt;The Weepies&lt;br /&gt;Lupe Fiasco&lt;br /&gt;Outkast&lt;br /&gt;Primal Scream&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;'Sall Right:&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;p&gt;&lt;strong&gt;&lt;/strong&gt;&lt;/p&gt;&lt;p&gt;Animal Collective&lt;/p&gt;&lt;p&gt;Joseph Arthur&lt;/p&gt;&lt;p&gt;Joshua Radin&lt;/p&gt;&lt;p&gt;Ray Lamontagne&lt;/p&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;On the Bedside Table ('06 edition)&lt;br /&gt;&lt;br /&gt;01/06&lt;br /&gt;Film Biographies by Stan Brakhage (77/100)&lt;br /&gt;&lt;br /&gt;02/06&lt;br /&gt;Girl with the Curious Hair by David Foster Wallace (2nd reading) (82/100)&lt;br /&gt;&lt;br /&gt;03/06 &amp; 04/06&lt;br /&gt;Into the Wild by Jon Krackauer (79/100)&lt;br /&gt;Fellini on Fellini by F. Fellini (76/100)&lt;br /&gt;The daVinci Code by Dan Brown (51/100)&lt;br /&gt;Why Orwell Matters by Christopher Hitchens (83/100)&lt;br /&gt;Castaways of the Image Planet by Geoffrey O'Brien (81/100)&lt;br /&gt;&lt;br /&gt;05/06&lt;br /&gt;Baseball Prospectus 2006 ed. by Baseball Prospectus crew (85/100)&lt;br /&gt;Baseball by the Numbers ed. by Baseball Prospectus crew (80/100)&lt;br /&gt;&lt;br /&gt;06-7/06&lt;br /&gt;The Stand by Stephen King (2nd time 'round)&lt;br /&gt;&lt;br /&gt;08/06&lt;br /&gt;Collected Stories by Carol Shields&lt;br /&gt;Haunted by Chuck Palahniuk&lt;br /&gt;Well of Lost Plots by Jasper Fforde&lt;br /&gt;The Wire: Truth Be Told by Rafael Alvarez&lt;br /&gt;The Secret Voyage of Sir Francis Drake by Sam Bawlf&lt;br /&gt;&lt;br /&gt;09/06&lt;br /&gt;Sexual Politics and Narrative Film: Hollywood and Beyond by Robin Wood&lt;br /&gt;Cuba by The Lonely Planet&lt;br /&gt;&lt;br /&gt;10-12/06&lt;br /&gt;Hollywood from Vietnam to Reagan by Robin Wood&lt;br /&gt;Sexual Politics and Narrative Films by Robin Wood&lt;br /&gt;Transcendental Style in Film by Paul Schrader&lt;br /&gt;A Short History of Nearly Everything by Bill Bryson&lt;br /&gt;Chaplin and Agee by Wranovics&lt;br /&gt;Castaways on an Image Planet by O'Brien&lt;br /&gt;The Wire: Truth Be Told by Alvarez&lt;br /&gt;Inherit the Wind by Lawrence and Lee&lt;br /&gt;The Hobbit by Tolkien&lt;br /&gt;All Quiet on the Western Front by Remarque&lt;br /&gt;Catcher in the rye by Salinger&lt;br /&gt;Romeo and Juliet, Macbeth, King Lear and Twelfth Night by Shakespeare&lt;br /&gt;Waiting on the Weather: Making Movies with Akira Kurosawa by Teruyo Nogami&lt;br /&gt;See the Child by David Berger&lt;br /&gt;Fall on Your Knees by Anne-Marie MacDonald&lt;br /&gt;There is a Season by Patrick Lane&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;The Best of 2005&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;&lt;span style="color:#cc0000;"&gt;Top Ten&lt;/span&gt;&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;&lt;span style="color:#cc0000;"&gt;&lt;/span&gt;&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;Illinois by Sujfan Stevens (88/100)&lt;br /&gt;Clap Your Hands Say Yeah by Clap Your Hands Say Yeah (86/100)&lt;br /&gt;Late Registration by Kanye West (86/100)&lt;br /&gt;Set Yourself on Fire by Stars (85/100)&lt;br /&gt;Thunder, Lightning, Strike by The Go! Team (85/100)&lt;br /&gt;Apologies to Queen Mary by Wolf Parade (85/100)&lt;br /&gt;Free the Bees by the Bees (84/100)&lt;br /&gt;All Songs Written by: Human Television by Human Television (83/100)&lt;br /&gt;Get Behind me Satan by The White Stripes (83/100)&lt;br /&gt;Oh No by Ok Go (83/100)&lt;br /&gt;&lt;strong&gt;&lt;em&gt;&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;&lt;span style="color:#3333ff;"&gt;Honorable Mention&lt;/span&gt;&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;&lt;span style="color:#3333ff;"&gt;&lt;/span&gt;&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;Extraordinary Machine by Fiona Apple&lt;br /&gt;Let it Shine by Jeremy Fisher&lt;br /&gt;Blinking Lights and Other Revelations by The Eels&lt;br /&gt;Carousel Waltz by The Robot Ate Me&lt;br /&gt;Live it Out by Metric&lt;br /&gt;Recording a Tape the Colour of Light by Bell Orchestra&lt;br /&gt;In Case We Die by Architecture in Helskinki&lt;br /&gt;Twin Cinema by The New Pornographers&lt;br /&gt;You Could Have it So Much Better by Franz Ferdinand&lt;br /&gt;The You and the Now by Jorane&lt;br /&gt;Devils and Dust by Bruce Springsteen&lt;br /&gt;Gods and Monsters by I Am Kloot&lt;br /&gt;You could have it So Much Better by Franz Ferdinand&lt;br /&gt;Prairie Wind by Neil Young&lt;br /&gt;Separation Sunday by The Hold Steady&lt;br /&gt;Wilderness by Wilderness&lt;br /&gt;Oh, You're So Silent, Jens by Jens Lekman&lt;br /&gt;Porcella by The Deadly Snakes&lt;br /&gt;Spelled in Bones by Fruit Bats&lt;br /&gt;Celebration Castle by The Ponys&lt;br /&gt;The Futureheads by The Futureheads&lt;br /&gt;Howl by Black Rebel Motorcycle Club&lt;br /&gt;Bright Ideas by Portastatic&lt;br /&gt;Leaders of the Free World by Elbow&lt;br /&gt;Z by My Morning Jacket&lt;br /&gt;Broken Social Scene by Broken Social Scene&lt;br /&gt;Are You Thinking What I'm Thinking? by The Like&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;And but so,&lt;/strong&gt; all ratings are out of 100, and &lt;span style="color:#6633ff;"&gt;&lt;span style="color:#000000;"&gt;if the&lt;/span&gt; text &lt;span style="color:#ff0000;"&gt;changes&lt;/span&gt; &lt;/span&gt;&lt;span style="color:#009900;"&gt;colour&lt;/span&gt;, it's cuz I've added a few entries to a particular month, allowing you to more easily keep track of all the new influences on my life. Heh. Meh. Feh.&lt;br /&gt;&lt;strong&gt;&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;The Bedside Table&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;&lt;/em&gt;&lt;br /&gt;&lt;span style="font-size:130%;"&gt;&lt;em&gt;&lt;strong&gt;08/05&lt;/strong&gt;&lt;/em&gt;&lt;br /&gt;&lt;em&gt;&lt;/em&gt;&lt;br /&gt;&lt;/span&gt;&lt;strong&gt;&lt;em&gt;The Autograph Man &lt;/em&gt;by Zadie Smith (77/100)&lt;br /&gt;&lt;em&gt;Created in Darkness by Troubled Americans&lt;/em&gt; McSweeneys humour ed. by D. Eggers et. al. (44/100)&lt;br /&gt;&lt;em&gt;How We Are Hungry &lt;/em&gt;short stories by David Eggers (75/100)&lt;br /&gt;&lt;em&gt;Lies and the Lying Liars Who Tell Them &lt;/em&gt;by Al Franken (78/100)&lt;br /&gt;&lt;em&gt;Love, Sex, Death and the Meaning of Live: The Films of Woody Allen&lt;/em&gt; by Foster Hirsch (81/100)&lt;br /&gt;&lt;em&gt;The Order of the Phoenix &lt;/em&gt;by J.K. Rowling (68/100)&lt;br /&gt;&lt;span style="color:#3366ff;"&gt;&lt;em&gt;The Life of Pi&lt;/em&gt; by Yann Martel (82/100) &lt;/span&gt;&lt;br /&gt;&lt;span style="color:#3366ff;"&gt;&lt;span style="color:#ff0000;"&gt;&lt;em&gt;America:TheBook&lt;/em&gt; by Jon Stewart et. al (61/100)&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="color:#3366ff;"&gt;&lt;span style="color:#ff0000;"&gt;&lt;em&gt;Sculpting in Time&lt;/em&gt; by Andrei Tarkovsky (85/100)&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="color:#3366ff;"&gt;&lt;/span&gt;&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;&lt;span style="color:#000000;"&gt;09/05&lt;/span&gt;&lt;/strong&gt;&lt;br /&gt;&lt;span style="color:#3366ff;"&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="color:#000000;"&gt;&lt;em&gt;The Tipping Point&lt;/em&gt; by Malcolm Gladwell (68/100)&lt;/span&gt;&lt;br /&gt;&lt;span style="color:#000000;"&gt;&lt;em&gt;The Films of Andrei Tarkovsky: A Visual Fugue&lt;/em&gt; by Vida T. Johnson &amp;amp; Graham Petrie (81/100) &lt;/span&gt;&lt;br /&gt;&lt;span style="color:#000000;"&gt;&lt;strong&gt;&lt;/strong&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="color:#000000;"&gt;&lt;strong&gt;10/05&lt;/strong&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;p&gt;&lt;span style="color:#000000;"&gt;&lt;em&gt;Blink&lt;/em&gt;&lt;strong&gt; &lt;/strong&gt;by Malcolm Gladwell (73/100)&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;em&gt;The Known World&lt;/em&gt; by Edward P. Jones (84/100)&lt;/p&gt;&lt;p&gt;&lt;span style="color:#000000;"&gt;&lt;/p&gt;&lt;/span&gt;&lt;strong&gt;11/05&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;p&gt;&lt;strong&gt;&lt;/strong&gt;&lt;/p&gt;&lt;p&gt;&lt;em&gt;The Cinema of Cruelty by &lt;/em&gt;Andre Bazin (ed. by Francois Truffault) (81/100)&lt;/p&gt;&lt;p&gt;&lt;span style="color:#3366ff;"&gt;&lt;em&gt;Chronicles&lt;/em&gt; by Bob Dylan (65/100)&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="color:#3366ff;"&gt;&lt;strong&gt;12/05&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="color:#000000;"&gt;&lt;em&gt;Romeo and Juliet&lt;/em&gt; by What's his name (90/100)&lt;/span&gt;&lt;/p&gt;&lt;p&gt;All Quiet on the Western Front by E.M. Remarque (88/100)&lt;/p&gt;&lt;p&gt;&lt;em&gt;Of Mice and Men&lt;/em&gt; by John Steinbeck&lt;/p&gt;&lt;p&gt;&lt;em&gt;Twelfth Night&lt;/em&gt; by that dude from Avon (91/100)&lt;/p&gt;&lt;p&gt;&lt;em&gt;DaVinci's Code&lt;/em&gt; by Dan Brown (44/100)&lt;/p&gt;&lt;p&gt;&lt;/p&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;The Turntable&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;o8/05&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Let it Shine &lt;/em&gt;by Jeremy Fisher (80/100)&lt;br /&gt;&lt;em&gt;Illinois&lt;/em&gt; by Sujfan Stevens (82/100)&lt;br /&gt;&lt;em&gt;Twin Cinema&lt;/em&gt; by The New Pornographers (78/100)&lt;br /&gt;&lt;em&gt;The Forgotten Arm&lt;/em&gt; by Aimee Mann (61/100)&lt;br /&gt;C&lt;em&gt;lap Your Hands Say Yeah&lt;/em&gt; by Clap Your Hands Say Yeah (86/100)&lt;br /&gt;&lt;em&gt;Kasabian&lt;/em&gt; by Kasabian (73/100)&lt;br /&gt;In&lt;em&gt; Case We Die&lt;/em&gt; by Architecture in Helskinki (79/100)&lt;br /&gt;&lt;em&gt;La Foret&lt;/em&gt; by Xiu Xiu (67/100)&lt;br /&gt;&lt;em&gt;Black Sheep Boy&lt;/em&gt; by Okkervil River (71/100)&lt;br /&gt;&lt;em&gt;The World and Everything in it&lt;/em&gt; by The Oranges Band (75/100)&lt;br /&gt;&lt;em&gt;We are the Little Barrie&lt;/em&gt; by The Little Barrie(70/100)&lt;br /&gt;&lt;em&gt;Free the Bees&lt;/em&gt; by the Bees (84/100)&lt;br /&gt;&lt;em&gt;Demon Days&lt;/em&gt; by The Gorillaz (74/100)&lt;br /&gt;&lt;em&gt;Get Behind me Satan&lt;/em&gt; by The White Stripes (83/100)&lt;br /&gt;&lt;em&gt;Guero&lt;/em&gt; by Beck (72/100)&lt;br /&gt;&lt;em&gt;Extraordinary Machine&lt;/em&gt; by Fiona Apple (77/100)&lt;br /&gt;&lt;em&gt;I M Wide Awake Its Morning&lt;/em&gt; by Bright Eyes (66/100)&lt;br /&gt;&lt;em&gt;Set Yourself on Fire&lt;/em&gt; by Stars (85/100)&lt;br /&gt;&lt;em&gt;Blinking Lights and Other Revelations&lt;/em&gt; by The Eels (80/100)&lt;br /&gt;&lt;em&gt;Blame the Vain&lt;/em&gt; by Dwight Yoakim (69/100)&lt;br /&gt;&lt;em&gt;Separation Sunday&lt;/em&gt; by The Hold Steady (65/100)&lt;br /&gt;&lt;em&gt;Devils and Dust&lt;/em&gt; by Bruce Springsteen (76/100)&lt;br /&gt;&lt;em&gt;Gimme Fiction&lt;/em&gt; by Spoon (72/100)&lt;br /&gt;&lt;span style="color:#6633ff;"&gt;&lt;em&gt;Carousel Waltz&lt;/em&gt; by The Robot Ate Me (83/100)&lt;/span&gt;&lt;br /&gt;&lt;span style="color:#6633ff;"&gt;&lt;em&gt;We Have Sound&lt;/em&gt; by Tom Vek (75/100)&lt;/span&gt;&lt;br /&gt;&lt;span style="color:#6633ff;"&gt;&lt;em&gt;Spelled in Bones&lt;/em&gt; by Fruit Bats (78/100)&lt;/span&gt;&lt;br /&gt;&lt;span style="color:#6633ff;"&gt;&lt;em&gt;Clor&lt;/em&gt; by Clor (64/100)&lt;/span&gt;&lt;br /&gt;&lt;span style="color:#ff0000;"&gt;&lt;em&gt;Pretty in Black&lt;/em&gt; by the Raveonettes (70/100)&lt;/span&gt;&lt;br /&gt;&lt;span style="color:#ff0000;"&gt;&lt;em&gt;Invisible Invasion&lt;/em&gt; by The Coral (73/100)&lt;/span&gt;&lt;br /&gt;&lt;span style="color:#ff0000;"&gt;&lt;em&gt;Celebration Castle&lt;/em&gt; by The Ponys (78/100) &lt;/span&gt;&lt;br /&gt;&lt;span style="color:#009900;"&gt;&lt;em&gt;Back Room&lt;/em&gt; by Editors (66/100)&lt;/span&gt;&lt;br /&gt;&lt;span style="color:#009900;"&gt;&lt;em&gt;The You and the Now&lt;/em&gt;&lt;/span&gt;&lt;span style="color:#009900;"&gt; by Jorane (82/100)&lt;/span&gt;&lt;br /&gt;&lt;span style="color:#009900;"&gt;&lt;em&gt;The Futureheads&lt;/em&gt; by The Futureheads (78/100)&lt;/span&gt;&lt;br /&gt;&lt;span style="color:#009900;"&gt;&lt;em&gt;All Songs Written by: Human Television&lt;/em&gt; by Human Television (83/100) but this rating comes with a caveat: I've only heard five songs so far&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;09/05&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Plans&lt;/em&gt; by Death Cab for Cutie (80/100)&lt;br /&gt;&lt;em&gt;Year of Meteors&lt;/em&gt; by Laura Veirs (71/100)&lt;br /&gt;&lt;em&gt;Howl&lt;/em&gt; by Black Rebel Motorcycle Club (82/100)&lt;br /&gt;&lt;em&gt;Gods and Monsters&lt;/em&gt; by I Am Kloot (75/100)&lt;br /&gt;&lt;span style="color:#3333ff;"&gt;&lt;em&gt;Oh No&lt;/em&gt; by Ok Go (83/100)&lt;/span&gt;&lt;br /&gt;&lt;span style="color:#3333ff;"&gt;&lt;em&gt;Bigger Bang&lt;/em&gt; by The Rolling Stones (63/100)&lt;/span&gt;&lt;br /&gt;&lt;span style="color:#3333ff;"&gt;&lt;em&gt;Bright Ideas&lt;/em&gt; by Portastatic (77/100)&lt;/span&gt;&lt;br /&gt;&lt;span style="color:#3333ff;"&gt;&lt;em&gt;Late Registration&lt;/em&gt; by Kanye West (86/100)&lt;/span&gt;&lt;br /&gt;&lt;span style="color:#3366ff;"&gt;&lt;/span&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;10&lt;/em&gt;/05&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;em&gt;You could have it So Much Better&lt;/em&gt; by Franz Ferdinand (78/100)&lt;br /&gt;&lt;em&gt;Hot Fuss&lt;/em&gt; by the Killers (69/100)&lt;br /&gt;&lt;em&gt;Extraordinary Machine&lt;/em&gt; by Fiona Apple (82/100)&lt;br /&gt;&lt;em&gt;Year of Meteors&lt;/em&gt; by Laura Veirs (55/100)&lt;br /&gt;&lt;em&gt;Prairie Wind&lt;/em&gt; by Neil Young (76/100)&lt;br /&gt;&lt;em&gt;Magic Numbers&lt;/em&gt; by The Magic Numbers (67/100)&lt;br /&gt;&lt;em&gt;Michigan&lt;/em&gt; by Sufjan Stevens (80/100)&lt;br /&gt;&lt;em&gt;Illinois&lt;/em&gt; by Sufjan Stevens (&lt;strong&gt;revisited grade: 88/100&lt;/strong&gt;)&lt;br /&gt;&lt;em&gt;Creation and Chaos in the Back Yard by &lt;/em&gt;Paul McCartney (62/100)&lt;br /&gt;&lt;em&gt;The Weight is a Gift&lt;/em&gt; by Nada Surf (71/100)&lt;br /&gt;&lt;em&gt;Apologies to Queen Mary&lt;/em&gt; by Wolf Parade (79/100)&lt;br /&gt;&lt;em&gt;Thunder, Lightning, Strike&lt;/em&gt; by The Go! Team (85/100)&lt;br /&gt;&lt;em&gt;Leaders of the Free World&lt;/em&gt; by Elbow (76/100)&lt;br /&gt;&lt;span style="color:#3333ff;"&gt;&lt;em&gt;Z &lt;/em&gt;by My Morning Jacket (78/100)&lt;/span&gt;&lt;br /&gt;&lt;span style="color:#3333ff;"&gt;&lt;em&gt;Broken Social Scene&lt;/em&gt; by Broken Social Scene (82/100)&lt;/span&gt;&lt;br /&gt;&lt;span style="color:#3333ff;"&gt;&lt;em&gt;Collisions&lt;/em&gt; by Calla (76/100)&lt;/span&gt;&lt;br /&gt;&lt;span style="color:#ff0000;"&gt;&lt;em&gt;Live it Out&lt;/em&gt; by Metric (77/100)&lt;/span&gt;&lt;br /&gt;&lt;span style="color:#ff0000;"&gt;&lt;em&gt;Birds Make Good Neighbours&lt;/em&gt; by The Rosebuds (71/100)&lt;/span&gt;&lt;br /&gt;&lt;span style="color:#ff0000;"&gt;&lt;/span&gt;&lt;span style="color:#ff0000;"&gt;&lt;em&gt;These Were the Earlies&lt;/em&gt; by The Earlies (79/100)&lt;/span&gt;&lt;br /&gt;&lt;span style="color:#ff0000;"&gt;&lt;em&gt;We Have Sound&lt;/em&gt; by Tom Vek (&lt;strong&gt;revisited: 65/100&lt;/strong&gt;)&lt;/span&gt;&lt;br /&gt;&lt;span style="color:#ff0000;"&gt;&lt;em&gt;Tournament of Hearts&lt;/em&gt; by The Constantines (83/100)&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;11/05&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;p&gt;&lt;em&gt;&lt;/em&gt;&lt;/p&gt;&lt;p&gt;&lt;em&gt;Are You Thinking What I'm Thinking?&lt;/em&gt; by The Like (79/100)&lt;/p&gt;&lt;p&gt;&lt;em&gt;Separation Sunday&lt;/em&gt; by The Hold Steady &lt;strong&gt;(revisited: 78/100)&lt;/strong&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="color:#3366ff;"&gt;&lt;em&gt;Wilderness&lt;/em&gt; by Wilderness (79/100)&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="color:#3366ff;"&gt;&lt;em&gt;Recording a Tape the Colour of Light&lt;/em&gt; by Bell Orchestra (81/100)&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="color:#3366ff;"&gt;&lt;em&gt;Apologies to Queen Mary&lt;/em&gt; by Wolf Parade &lt;strong&gt;(revisted: 85/100)&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;strong&gt;&lt;span style="color:#000000;"&gt;12/05&lt;/span&gt;&lt;/strong&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="color:#000000;"&gt;&lt;em&gt;Descended like Vultures&lt;/em&gt; by Rogue Wave (66/100)&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="color:#000000;"&gt;&lt;em&gt;Oh, You're So Silent, Jens&lt;/em&gt; by Jens Lekman (77/100)&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;em&gt;Birds Make Good Neighbours&lt;/em&gt; by The Rosebuds (64/100)&lt;/p&gt;&lt;p&gt;&lt;span style="color:#3366ff;"&gt;&lt;em&gt;Ruby Blue&lt;/em&gt; by Roisin Murphy (71/100)&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="color:#3366ff;"&gt;&lt;em&gt;Robyn&lt;/em&gt; by Robyn (68/100)&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="color:#3366ff;"&gt;&lt;em&gt;Porcella&lt;/em&gt; by The Deadly Snakes (80/100)&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="color:#3366ff;"&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="color:#3366ff;"&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;/p&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;p&gt;&lt;/p&gt;&lt;p&gt;&lt;/p&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;p&gt;&lt;/p&gt;&lt;p&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-size:85%;"&gt;&lt;strong&gt;&lt;/p&gt;&lt;/strong&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;/strong&gt;&lt;span style="color:#6633ff;"&gt;&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/15396749-112395881968044567?l=djardine3.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://djardine3.blogspot.com/feeds/112395881968044567/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=15396749&amp;postID=112395881968044567' title='8 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/15396749/posts/default/112395881968044567'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/15396749/posts/default/112395881968044567'/><link rel='alternate' type='text/html' href='http://djardine3.blogspot.com/2005/11/what-ive-been-readinglistening-to.html' title='What I&apos;ve Been Reading/Listening to Lately'/><author><name>Dan Jardine</name><uri>http://www.blogger.com/profile/13757592250591482369</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>8</thr:total></entry></feed>
